Check this out ...
https://www.facebook.com/reel/1625197391322693
(unfortunately, Blogger doesn't embed Fb reels -- DOH!)
I beg you, don’t misunderstand me here—I love me some Sheila E.—monumental star talent whose accolades speak volumes. On that note, when she does speak it’s wise to listen.
Here, she’s interviewed by one of my all-time favorite clinicians
and distanced-mentors, Dom Famularo, about the business of music. Pretty
standard stuff here; all perfect advice. Love it!
One thing though, the reel focuses mainly from the viewpoint of a contract hitman—a session or
touring player—not necessarily a band-oriented endeavor. Maybe a small miss in the editing?
Okay, here’s my take on it …
Part of today’s creativity lag stems around this very subservient mindset. “Check your ego at the door if you want to be called back often,” etc. I’d much rather become part of a group of shared mindsets, talents, and goals—musically compatible, and accepted primarily for our signature sound. Yes, of course we should all be punctual, friendly, positive, and know what we’re doing. That’s called being professional. Goes without saying. But if you want originality, band together for what the artists bring to the table, besides professionalism and ability.
Not that I could now, but I stopped taking sessions long ago for someone merely needing a drummer, especially if they didn’t want my style or sound (to a certain degree of flexibility, mind you). I’d rather stay home in that case; there’s nothing in it for me. Let the drum ho play it or use loops, you’ll get exactly what you want. But, if you want me for me, and the goals are shared, I’m all-in.
Think about this: Stewart Copeland never gets called for drums
sessions where any skilled drummer would suffice. Not Alex Van Halen, Neil
Peart, (RIP), Phil Collins, or any drummer who played for a successful band where
the drums were a signature part of their overall sound. If they played on someone
else’s record it was for their sound. So, to that end, it really depends on
your personal goals in contrast or compliance with the band’s goals. If session
work and being part of a band where you’re easily replaceable is your thing,
that’s quite all right. Kenny Aronoff, Simon Phillips, and a gazillion others
have major successful careers even though you’d never know it was them behind the
kit on most of their sessions. They're not complaining, I know.
Sheila E.’s advice reminds of Thelonious Monk’s “25 Tips” some 60 years ago.
All good stuff. Chick Corea also posted some nuggets. What they can’t tell you
is how to be original. It’s simple: don’t sound like anyone else, and find others that also don't sound or play like anyone else. The world is awash with copies.
But yes, definitely take their advice on every other topic. Gold!
Here's Sheila E.'s full Sessions Panel interview:
Thanks Dom, and Get Well :)
/T
